Sunday, January 7, 2018

2017 Wrap-Up and Year-End Stats!




Greetings, my friends!

This marks the 11th year that I have taken the time to not only reflect upon "the year in movies" gone by, but attempted to give it context and shape by assessing the quality of the films in question, and noting any particular patterns or interests that made the year distinctive. In 2009, I began breaking the Horror Views and Civilian Views into two separate sections, being that the blog I had just started was called, after all, HORROR 101.

Having already given 2017’s fright flicks their deserving measure of thought (click HERE to see)
, it’s time to dive into the less-scary side of things, as well as looking at the Views overall.


This year, it should be mentioned, marks the lowest total of films (251) watched since I started tracking such minutiae back in the early 1990s. (I know, I know, it may still seem like a lot to some. Everything is relative, no?) I attribute this to a variety of elements, not least of which being the amount of time I simply sat staring at the computer screen in disbelief at the madness occurring in the political arena. I was, quite literally, stunned by this world that had been allowed to manifest itself and almost didn’t dare turn my back… for fear things would slide past the point of no return during the period between opening and closing credits. I also found myself looking for ways to combat the various situations rather than escape from them, and often decided against a movie if there was a worthier task at hand, be it the organizing of a self-defense workshop or contributing time or money (or both) to a fundraiser or protest, etc.


This is also probably a good time to point out that there also wasn’t much coming to the cinema that I was interested in seeing. Outside of the two film festivals (BIFFF and Cinepocalypse), there was only one day that I spent at the multiplex seeing more than a single movie. One. (August 8, to be exact.) The rest of the time I was single-viewing it, i.e. going to the theater, seeing ONE MOVIE (“inconceivable!”) and then going home. I mean, seriously, who is this and what have you done with AC?


Add to this the insanity of running on minimal sleep during the 25 weeks that I was rehearsing and/or performing onstage while maintaining my personal training practice of 25-30 sessions a week, and suddenly it becomes clearer why the numbers are the way they are. To be honest, I’m genuinely surprised the tally isn’t lower. Then again, BIFFF, Cinepocalypse, and October’s SCARE-A-THON 2017 represent approx 35% of the total Views, even though they cover only 6 of the 52 weeks. (It seems we can still dive in deep when the occasion calls for it.)

This is why we record these things, to remember each year and what was different and special. So… let’s look around a bit, shall we?

2017 Totals: 251 films, 179 first time views, 111 horror, 52 cinema

(2016 Totals: 272, 183, 131, 31)

(2015 Totals: 352, 190, 224, 41)
(2014 Totals: 399, 203, 251, 48)
(2013 Totals: 306, 240, 185, 69)
(2012 Totals: 607, 520, 362, 166)
(2011 Totals: 640, 419, 355, 59)
(2010 Totals: 364, 253, 242, 45)
(2009 Totals: 472, 276, 289, 38)
(2008 Totals: 384, 278, 226, 39)
(2007 Totals: 409, 284, 260, 40)

Saturday, January 7, 2017

2016 Wrap-Up and Year-End Stats!



Aaaaaaaaand we're back!

Having addressed the horror genre in the previous entry (hey, this is HORROR 101 after all), it’s now time to give the civilian flicks a moment in the sun. As always, all titles listed were encountered for the first time from January 1 to December 31, 2016 (i.e. no repeat viewings were eligible), with top picks denoted with an asterisk. (*)

As I mentioned in the horror wrap-up post, I didn't spend a whole lot of effort keeping up with 2016's output - I don't think I indulged in more than two or three cineplex binge-trip theater-hop voyages, so most of the current crop were viewed in the latter half of the year once they'd hit home video. I'm genuinely surprised I saw as much as I did, since this year wasn't really calling to me.

Additionally, as you'll see below, this marks the fewest total films I've seen in probably 15 years, due to work and travel and interneting. But hey, Life takes its turns and shifts, and I'm okay with it, so hopefully you are as well. We'll see what 2017 has in store!

Let the OCD madness begin!!!




TOP CIVILIAN RELEASES OF 2016
Everybody Wants Some!
Green Room
*The Handmaiden
Hell or High Water
Swiss Army Man

Thursday, January 7, 2016

2015 Wrap-Up and Year-End Stats!


I've always been a firm believer in building up suspense, he said in response to the inevitable question, "What the hell took so long to post the second half of the year-end recap????"

Anyway, here's the rest of the goods from 2015. Didn't spend much time at the cineplex this year, so I can't say that this really reflects the state of The Year That Was, but then again, maybe it does, seeing as how I wasn't all that drawn to seek out the latest shiny new objects. Or maybe that just says more about me.

As before, all titles listed were encountered for the first time from January 1 to December 31, 2015 (i.e. no repeat viewings were eligible), with top picks denoted with an asterisk. (*)



TOP CIVILIAN RELEASES OF 2015


Wednesday, January 7, 2015

2014 Wrap-Up and Year-End Stats!



Back again!

Having addressed the horror genre in the previous entry (hey, this is HORROR 101 after all), it’s now time to give the civilian flicks their moment in the sun. As before, all titles listed were encountered for the first time from January 1 to December 31, 2014 (i.e. no repeat viewings were eligible), with top picks denoted with an asterisk. (*)




TOP CIVILIAN RELEASES OF 2014




Wednesday, April 23, 2014

HAPKIDO (1972) / LADY WHIRLWIND (1972) DVD REVIEW



Lady Whirlwind (aka Deep Thrust) (1972) d. Feng Huang (Hong Kong)
Hapkido (aka Lady Kung Fu) (1972) d. Feng Huang (Hong Kong)

Right off the bat, let’s make one thing clear: I don’t pretend to be a martial arts or Asian cinema expert. I’ve seen my share of chop-sockey flicks, both good and bad, but I’m a casual observer at best. Martial arts-wise, I’ve seen Bruce Lee’s five official features, several of Jackie Chan’s Hong Kong outings, Seven Samurai, 47 Ronin, a few 80s Cannon ninjafests, Five Deadly Venoms and other classic Shaw Brothers offerings, newer stuff like Crouching Tiger Hidden Dragon, the Ong Baks, The Raid and its sequel, and maybe a dozen Jet Li movies. More than some, far less than others, but on the whole I can say I like the genre and am always eager to experience more.



Wednesday, April 16, 2014

COLD IN JULY (2014) movie review



Cold in July (2014) d. Jim Mickle (USA)

One hot summer Texas night, professional picture framer Richard Dane (Dexter’s Michael C. Hall) is awoken by the sound of someone breaking into his home. Spooked, the mild-mannered husband and father creeps downstairs and, accidentally firing his pistol, mortally wounds the intruder who turns out to have a criminal record a mile long. An instant small-town celebrity, Dane is applauded by the local lawman (Nick Damici) for bringing down “a really bad guy.” But when the burglar’s jailbird father (Sam Shepard) comes to town looking for revenge, it sets in motion a mysterious chain of events, revealing that nothing is as it appears to be.



Sunday, April 6, 2014

THE WHITE BUFFALO (1977) movie review



White Buffalo, The (1977) d. J. Lee Thompson (USA)

Produced by Dino de Laurentiis the same year as his Jaws/Moby Dick hybrid Orca, this similarly themed Western epic pits a syphilitic Wild Bill Hickok (Charles Bronson) against the enormous titular bison, with none-too-subtle parallels of them each being the last of their kind.


Monday, April 22, 2013

BLANCANIEVES (2012) movie reviews


Blancanieves (2012) d. Berger, Pablo (Spain)

An exquisite retelling of the classic Snow White fairy tale, filtered through the lens of a once-great matador, his plucky young daughter, and the scheming nursemaid/wicked stepmonster whose vanity threatens to destroy all in her path. Writer/director Berger cultivates an impossibly charming and rich romantic atmosphere, with emotions worn proudly on sleeves and textures and images dancing in concert with Alfonso de Vilallonga's dynamic and purposefully eclectic score.


VANISHING WAVES (aka AURORA) (2012) movie review


Vanishing Waves (aka Aurora) (2012) d. Buozyte, Kristina (Lithuania/France)

Scientists set up an elaborate Altered States-like experiment to see if two separate consciousnesses can interact, allowing a member of their team (Marius Jampolskis) to attempt to psychically synch up with comatose car accident victim Jurga Jutaite. The experiment is a success, in that a connection is made, but when the scientist decides to keep secret certain discoveries from the rest of his colleagues, it threatens both the validity of the test and the safety of its two subjects.


Wednesday, April 17, 2013

PIETA (2012) movie review


Pieta (2012) d. Kim, Ki-duk (South Korea)

Jung-Jin Lee commands the screen as an amoral loan shark enforcer who thinks nothing of maiming those who cannot pay their debts, telling them that he will be back to collect the insurance money they receive for their injuries. But when mysterious woman Min-soo Cho appears, claiming to be Lee’s long-absent mother, it ignites a spark of emotion that could prove to be his downfall.